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The Movie Soundtrack by Mamma Mia! Film cast Released Standard version: July 8, 2008 Deluxe edition: November 25, 2008 Recorded 2007 Length 69: 57 (executive) Mamma Mia! The Movie Soundtrack is the for the 2008 musical film, based on the. It features performances by the film's cast including, and. The recording was produced by who along with had produced the original ABBA recordings. Also many of the musicians from the original ABBA recordings participated in making the soundtrack album. In keeping with the setting, the musical arrangements featured the use of traditional Greek instruments, most noticeably the.
The album was nominated for a Grammy Award for Best Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media. Katie Hasty, Billboard.com, August 13, 2008. Grein, Paul (2014-07-02). Archived from on 2014-07-14. Retrieved 2014-07-03. 20 July 2008.
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Archived from on 2007-10-27. Retrieved 2012-03-01. Archived from on 2008-12-16.
Retrieved 2012-03-01. July 24, 2008, at the. Retrieved 2012-08-22. Archived from on 2013-10-14. Retrieved 2013-08-08. (in Russian).
13 December 2008. Archived from on 24 July 2011. Download free software thinkpad power management driver x61 patillas. Retrieved 30 August 2016. October 9, 2008. Retrieved 2012-08-22.
Music From Mamma Mia Movie
April 11, 2008. Retrieved 2012-03-01. Archived from on 2009-12-18.
Retrieved 2012-08-22. Retrieved February 6, 2009.
External links. Qtp 11 license key generator. Preceded by by July 21, 2008 - August 25, 2008 Succeeded by by Preceded by Viva la Vida or Death and All His Friends by Coldplay (first run) July 21, 2008 - July 28, 2008 Succeeded by by Preceded by.Hits by Phil Collins (second run) August 11, 2008 - August 25, 2008 Succeeded by by Preceded by by U.S. August 23, 2008 - August 30, 2008 Succeeded.
After more than nine years (and counting) of continuous stage performances, the musical Mamma Mia!, featuring songs from the catalog awkwardly stitched into a romantic comedy plot, was adapted for the big screen by the same producer/director/writer team that had taken it to the theater. (That would be, and, respectively.) Like its counterpart, it pleased moviegoers but not critics, and thankfully the film itself is not the primary subject of this consideration. The soundtrack album simply consists of 18 songs sung by the stars of the movie, most of whom are not professional singers. The instrumental portions of the music are remarkably similar to the original recordings, which is not surprising given that member, who produced this album, reunited the original studio musicians to re-create their parts. Their playing (his, in particular) is a bit less precise here and there three decades on, but for the most part it's hard to tell the difference. On the original recordings, the Swedish singing group revealed its ESL (English as a second language) limitations, just as the songwriters (, fellow member, and sometimes ) revealed their ESL lyric-writing limitations. Here, the first of those problems is alleviated, while the second is somewhat elided by performers who are actors used to finding ways to say (or sing) even the silliest lines with some conviction.
That's all to the good. But the generally low to mediocre quality of singing is such as to suggest an all- night in a karaoke bar. The singers may be divided into those who embarrass themselves and those who manage to avoid doing so. In the latter category, the most prominent is, in the starring role of Donna, an innkeeper living on a Greek isle with her daughter Sophie, who is about to be married and, never having been told who her real father is, sets the plot in motion by writing to three of her mother's ex-boyfriends and inviting them to the wedding., who has some stage singing experience, is actually better when she's belting than when she has to be more intimate and expressive, as she is called on to do for most of the ballad 'The Winner Takes It All.' , as Sophie, also does well (and she even gets an extra solo, singing 'Thank You for the Music' with only piano accompaniment as the album's hidden track)., and are not heard from much, and therefore also fit into the non-embarrassing category. The real problem is, who simply can't sing at all, but who tries hard during such leads as 'SOS' and particularly 'When All Is Said and Done,' to often painful effect.
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(It's too bad that, a ringer who has real musical theater chops, only gets to sing 'Does Your Mother Know,' not only because the album would be vastly improved with more of her, but also because she is so much better than the others that she makes them sound even worse than they are.) On-screen, just as on-stage, Mamma Mia! Is at best a guilty pleasure.
On disc, it is no more than a souvenir of the film experience (which didn't keep this album from topping charts all over the world upon its release).